Dirty Projectors Brooklyn, New York
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A Crow Looked At Me
by Mount Eerie
supported by 5 fans who also own “Slaves' Graves and Ballads”
I don't think any other album makes you feel grief so intensely and accurately. Phil really reminds us with every word and every metaphor that death is a very real, very painful thing.
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Promises
by Floating Points, Pharoah Sanders & The London Symphony Orchestra
supported by 5 fans who also own “Slaves' Graves and Ballads”
This is music. Simple as that. You need to listen to this if love music period. Masterpiece.
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LUSH
by Mitski
supported by 5 fans who also own “Slaves' Graves and Ballads”
the whole thing is a haunting emotional cry seeking to identify your truest feelings and beautify them.
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Outside Child
by Allison Russell
The alternative singer's debut album shatters through the darkness.
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Sweet Action
by King Brown
Guitar/drum duo King Brown crank out anthemic sludge rock with a devious attitude, building up beefy hooks just to torch them with a sneer.
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T(h)reats
by STUFF.
Belgian quintet STUFF. filter groove-heavy electronic through ambient swirls, sweeping string samples, and space jazz-inspired interludes.
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Retired from Sad, New Career in Business
by Mitski
supported by 5 fans who also own “Slaves' Graves and Ballads”
This album is bipolar in emotional content: some songs being so sweet I feel like I'm sinking my teeth into tender pastry, and some songs being so heart-wrenching that I want to curl up into a ball (similar to how I feel after eating a pastry). All jokes aside, I adore this album and never skip a single song on the whole thing. My favorite Mitski record.
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